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2004- Part 1
Barry Sparks-Can’t Look Back
 Barry Sparks bass player of Dokken and Ted Nugent has just released a new solo album entitled "Can't Look Back. This CD is a collection of songs that were written over the past 3 years. Barry plays all of the instruments including bass, guitar and lead vocals. Jim Pavett and Shane Gaalas play drums. Barry says, "This CD is the one that I’m most proud of out of anything that I have ever done. It has all of my influences on it, Rush, Police, plus my new rendition of "Something" by the Beatles. It was recorded at Holidays Inns across the country." The CD has 14 songs that are well orchestrated and are written straight from the heart."Can’t Look Back" has a very modern sound with a variety of different musical styles. Sparks takes center stage on this album displaying his great musical ability as a songwriter and musician. Opening track and single from the CD is the very cosmic song "Between The Sun and Moon". It has a very catchy chorus and great melody. This song is destined to be a hit with the right radio airplay. "Simple Plan" is a beautiful ballad with a haunting chorus and sung with deep emotion. "Breathe" describes Barry’s rise to the top as a musician and performer. It also features Billy Gibbons from ZZ Top on guitar and intro. "Liberty" is a tribute to the Sept 11 victims. The tune captures all the pain and sadness that was felt on that horrendous day that changed America forever. "MY LADY LIBERTY ONLY YOU CAN SET US FREE". Ted Nugent is the featured guitar player on that song. Also, another very moving moment on the CD features a beautiful ballad that Barry wrote for his late father Butch Sparks, who passed away last year. In this song, Barry sings about the special relationship that that had together and how he was big part of his life. The CD ends with a nice rendition of "Something" by the Beatles.
"Can't Look Back" is available at www.barrysparks.com. Barry Sparks is currently touring the country with Dokken. Stay tuned for further updates with Barry Sparks on the Dokken Tour Diary here. By Deb Rao
Eighteen Visions - Obsession
 For most scenesters, Eighteen Visions is one band definitely on the
hardcore/metal list of "cool to hate but secretly dig."Hailing from Orange County, 18V is a front-runner in the "fashion-core" movement: metalcore with crushing breakdowns, tounge-in-cheek cynicism and a tendency to be adorned in designer jeans, eyeliner and trendy logo t-shirts. In Obsession, the band perfects its "Core-era Stone Temple Pilots meets kids coming out of a Vision of Disorder concert" vibe, their last record on Trustkill before hammering out their major label debut on Epic. Its no secret 18V is gearing up for the big leagues as singer James Hart's Weiland-esque warble has now been expanded to include more clean singing and less guttural vocal blasts, hinted at in 2002'sVanity.He's even guilty of some crooning on "I Should Tell You", a tender, tugs-at-your-Von Dutch-hat ballad. As far as the signature heavy breakdowns that 18V lays claims to, they are still there but so are swirling, layered guitars and swooping vocal hooks, similar to Failure and recent Cave In. Look no further than "Waiting For the Heavens" and "This Time" for evidence of what one could call a new signature sound for the band, further sweetened by Mudrock's hearty production. Lyrically, its more of the same in the land of fashion-core: musings about lovelorn pasts and well, obsession. As a whole, the record is a well-rounded effort, looking to appeal to 18V's hardcore roots while still taking the opportunity to expand musical horizons. If you're a fan of the last VOD album, GlassJAw or even Godsmack, you'll dig this jam. http://www.eighteenvisions.com Review by Shawn Walters
Dokken- Hell to Pay
 It’s evident from the ambient intro of the first track “The Last Goodbye,” that this is unlike any other Dokken release. This is Dokken’s tenth studio CD and it’s their best effort since their 1995 “Dysfunctional” CD, which was the bands re-union release with all four original members.
“Hell to Pay” is a melodic, heavy, intense, profound, reflective, soulful and satisfying recording. It’s the third straight release without fan favorite and original guitarist George Lynch, whom quit the band in 1996. On this CD band members Don Dokken, Mick Brown and Barry Sparks are joined by Jon Levin (ex Warrior and one time attorney of Dokken), who handles the guitar duties. Levin has a gift of knowing exactly what to play to enhance the song. He’s technically proficient without sacrificing soul, taste, emotion and passion. Whether it’s a lightening fast riff such as on “Don’t Bring Me Down,” and “Prozac Nation” or a slow, blues burn like on “Still I’m Sad.” Levin is absolutely brilliant, his tone is perfect for Dokken and many of his solos are simply breathtaking. He has raised the bar for others to follow. Is there anything that he can’t play? He’s part Hendrix, part Randy Rhoades and part Eddie Van Halen.
In addition, Don Dokken continues to grow as a song-writer. The first track “The Last Goodbye” is a classic hard-driving, fist pumping track which is certain to become a fan favorite. “Waiting for the Sun” is a beautifully written, trippy type, Beatles-ques composition, a great song to hear live. The most impressive track on the CD however, is “Prozac Nation.” This is a modern sounding tune with a cool grunge-like riff, lyrically addressing our nation’s dependency on this over prescribed mind altering, family destroying drug. “Care for You” and “Still I’m Sad” are slower power ballad compositions that deal with the oh-so painful subject of heartbreak and separation. Both songs are radio ready.
And finally, one can not forget to mention bass virtuoso Barry Sparks contributions as well. Not only does he provide some very memorable bass lines and strong- solid bottom line,along with drummer "Wild" Mick Brown, but he also helped pen the fast paced track “Don’t Bring Me Down.”
What obvious from this release, is that Dokken the band is doing just fine without guitarist George Lynch. May I even be bold enough to say that the band has progressed with every Lynch-less release? This CD is a good mix of the classic Dokken sound with a bit of a modern twist and maturity. And by far, the best CD of the year!!! www.dokken.net Thomas S. Orwat, Jr.
Killswitch Engage – The End of Heartache
W hen you look at the current landscape of American metal scene, it is impossible to ignore the sonic juggernaut that is Killswitch Engage. After some line-up shifts, complete with new drummer and singer, the band is back with their third effort,The End of Heartache. Best described as the penultimate blend of classic American thrash and European melodic death metal, KSE has the daunting task of being a flag-bearer of the heavy music revolution. This new disc, while not the standard by which all should be measured, is a positive step forward, riding on the vocals of one Howard Jones (not the “Everlasting Love” guy). Mostly known for his work with New England metalcore outfit Blood Has Been Shed, Jones replaces current Seemless vocalist Jesse Leach and actually adds a new dimension of regal-sounding vox to the mix. There’s just a thicker, heartier feel to the choruses when Jones belts them out, evident in “Breathe Life” and “A Bid Farewell”, a good handle on hardcore growls and clean singing. And while its all about the crazy chops of one guitarist Adam Dutkiewicz, there are some solid hardcore breakdown reminiscent of Hatebreed and Shadows Fall, including the lead single “Rose of Sharyn”. Probably the best jam on the record is “When Darkness Falls”, showcasing Jones’s outstanding dynamics and the exploding riffage throughout, matching up perfectly KSE’s most notable song “My Last Serenade” from 2001’s Alive Or Just Breathing. Simply put, while The End of Heartache isn’t the most innovative disc, it definitely grabs one’s metal-laden jugular and makes the take notice the TRUE American metal revolution has arrived, with KSE at the front line. http://www.killswitchengage.com Review by Shawn Walters
Slipknot – Vol. 3: The Subliminal Verses
A fter a couple years away from the metal slime-light, the nine madmen collectively known as Slipknot hath returned to reclaim the spot the extreme music echelon. Following up on 2001’s lackluster effort, IOWA, the band unleashes Vol. 3 – The Subliminal Verses, a record that, dare I say it, establishes them as a nu-metal Pink Floyd, in the most wayward sense. It’s clear to me that Slipknot is looking to flex their musical acumen, most likely enhanced by the myriad of side projects from the respective members, most notably of Stone Sour, the alt metal group featuring singer Corey Taylor and guitarist Jim Root. There’s a good deal of melodic singing and dynamics present in the lead single “Duality” and “The Nameless”, with Taylor sounding like Scott Weiland if he was trying to shred his vocal chords (but there’s flashes of it, says I). One could also envision a return to the vibe of the very FIRST Slipknot disc, Mate.Feed.Kill.Repeat., where you had all sorts of interesting musical styles (and no Corey). If anything, there’s more of a focus on songwriting and progressive yet brutally heavy arrangements than just a full-on aural assault as heard on the self-titled effort. You’d never expect to hear an acoustic dirge like “Vermillion” labeled as a Slipknot jam yet it brings more emotion to the record rather than mindless rage, probably due in part to uber-producer Ri ck Rubin’s influence. For the superficial “maggots”, there’s the chant-alongs like “The Blister Exists” and “Before I Forget”, but it may take some openness and diversity to truly appreciate Vol. 3. As for those who have followed Slipknot from their infancy, this unique yet devastating approach should be easier to palate.www.slipknot1.com Review by Shawn Walters
The Marvels-Cheat to Win
 Cheat to Win is an eight song CD and is the second release from this upcoming punk/garage band from Boston, Massachusetts. This CD is a tight, lighten fast, quirky and aggressive, all attitude, infectious recording. The Marvels consists of members Staffy-vocals, Zim-guitar, Nice Guy Jimmy B.-guitar, Michelle Paulhus-bass, and Jesse Vonkenmore-drums. Imagine if The Ramones, early GooGoo Dolls (with Robby singing) and New York Dolls were blended up in a punk rock concoction. Although The Marvels are not really original, they are still a great band to listen to after a few cold ones. They could easily fit in on this years Warp tour and even blow some of those bands away.
“Cheat to Win” clocks in under 23 minutes. It commences with the fast, straight forward street power-punk, self-loathing, “I’m so Ugly.” “All Alone” and the snotty “Hate Myself” follow. “Drunk and Irresponsible” a fan favorite, is a bit reminiscent of Rancid with a catchy sing-a-long chorus.
The CD ends interestingly with an acoustic track “Dead to the World.” It’s a fitting end, like the hangover after a beer and whiskey soaked party.
Although the Marvels may not be breaking too much new ground, they are a little too much like the One Man Army and The God Awfuls, they are fun to listen to and simply are entertaining and rather marvelous to say the least. www.themarvels.net By Thomas S. Orwat, Jr.
Sevendust - Southside Double-Wide: Acoustic LiveI
 In this journalist's eyes, there is no band that is more of a sure thing than the Atlanta quintet known as Sevendust. Quite honestly, all of the band's studio LPs have been phenomenal and seemingly increase in quality with each release. Hence, it comes as no surprise that Sevendust's offering of a live AND acoustic show is automatically stellar. Southside Double-Wide: Acoustic Live is a CD/DVD release from the brief acoustic tour the band did in 2003, particularly a homecoming show in Georgia last September. Here the band is stripped down to its core, allowing the hollowed-out guitar sounds and frontman Lajon Witherspoon's gospel-like yet gruff vocals to shine. It's a beautiful thing to hear some of the more aggressive Sevendust tunes broken down to their foundations, namely "Rumble Fish" and "Too Close To Hate". Drummer Morgan Rose utilizes a full drum set here, thus giving every track its just props but not while overbearing the purpose of providing an acoustic performance. And all the emotion is there too, with the pain and sweat just seeping through on "Skeleton Song" and "Xmas Day". On top of all this, there is an acoustic studio recording of "Broken Down" from the most recent LP, Seasons that is pretty decent. My only complaints have to do with the lack of songs from Sevendust's sophomore effort, Home as I can name a bunch of tracks deserving of audio deconstruction. Also, the crowd doesn't seem to be mic'd all that well, although you can still feel the intensity (mosh pits at an acoustic show anyone?). But minor issues aside, Sevendust has yet again failed to disappoint, delivering not only a collectible item, but a solid musical release that defines the band and their passion to their craft. www.sevendust.com Review by Shawn Walters
Yngwie J. Malmsteen- Attack
 Although Yngwie J. Malmsteen is one of the most brilliant guitarist’ to walk the face of the earth, he is still making some rather bad musical decisions, thus resulting in this CD being just another lackluster release. And it’s a bit disappointing because this is his first recording on a major label in years. During his twenty year plus career, Malmsteen has composed two brilliant ground breaking CD’s, his solo debut, the mostly instrumental “lRaising Force” and 1999’s “Concerto Suite for Electric Guitar and Orchestra in E flat minor, Opus 1” which he recorded with the Czech Philharmonic orchestra. Malmsteen’s most fascinating and breath taking material has been his instrumental compositions. For Malmsteen to add a vocal to his music is becoming as absurd as it would have been for Mozart or Bach to have someone sing nursery rhymes over their compositions. The brilliance and beauty of the instrumental pieces on this release “Majestic Blue,” and ”Air,” are lost and cheapen by the juvenile tracks such as “Razor Eater” and “Mad Dog.”
If Malmsteen truly wants to be the musician/composer that he is capable of becoming, he must lose the pretentious, falsetto vocals and Dungeon and Dragon lyrics that have plagued almost all of his releases. Now is the time for Malmsteen to attack and unleash the fury on his disposable, cliché vocalist and give the world the CD that we are all waiting for. www.yngwie.org By Thomas S. Orwat, Jr.
Bring You To Your Knees: A Tribute to Guns N Roses
 In a world where we often mistake lack of talent for genius (thanks Pete Steele), its a common practice for tribute albums to be all the rage from time to time. Granted, there are good cover albums with the best artists paying homage to their heroes and there are BAD cover albums where bands just don't know what the fuck they're doing. And then there's this one: a metalcore tribute to Guns N Roses. On the surface, this disc would be a scenester's wet dream, with some the best metalcore bands today giving it up for one of (if not THE) wildest rock band from the 80's. Sadly, instead of a nice dream, its more of a nightmare where you get caught with a boner in the front of the class. Simply put -- its pretty embarrassing given the talent involved. Now don't get me wrong -- GNR was definitely NOT all about honing their musical craft like Rush or something but they DID put together some soild, memorable slabs of rock history and cannot be denied that. However, it truly sounds like there was little effort to give true props to GNR, in my opinion, treated more of as a joke. There are bright spots: Every Time I Die does a groovy acoustic version of "Used to Love Her" and Unearth whips up the mosh with a killer added breakdown in "It's So Easy". And don't completely overlook 18 Visions doing "Paradise City" (sans sped-up ending) and God Forbid's take on "Out Ta Get Me". But flat out -- the rest is crap and rather unspectacular. Bleeding Through absolutely butchers "Rocket Queen", removing any sass and grit the original had possessed. Break the Silence doing "Nighttrain" and Most Precious Blood tackling "Sweet Child O' Mine" are just complete messes. The Beautiful Mistake is anything but in their rendition of "Estranged" and don't even ask about Zombie Apocalypse (just don't). In all honesty, the bright spots are real good but not worth your funds for the whole disc. One can only look at the proposed Smashing Pumpkins tribute in the liner notes and fear for the worst. www.lawofinertia.com Review by Shawn Walters
SOiL - Re.De.Fine
E very so often, we get these bands that have all sorts of juice behind them but you're not quite sure why. SOiL is one of those groups, a part of the much-lauded J Records label and scoring some high-profile gigs on Ozzfest 2002 and with Ozzy himself.Re.De.Fine is this Chicago group's sophmore effort and I must concur that they bring the heavy and keep that way. Vocalist Shaun McCombs has a wail quite similar to that of Sully Erna of Godsmack or Zakk Wylde, keeping a gritty soulfullness throughout. Undeniably, SOiL brings the hooks like no other in their particular flavor of rock, especially in the lead single "Pride" and "Suffering". And check the nod to nu-metal on "Cross My Heart", complete with eerie background effects, similar to Life Is Peachy-era KoRn. Lyrically, the bands pens a plethora of beer-and-whiskey soaked ballads done up for the alt-metal generation where Drowning Pool speaks to the soul (j/k sort of). But seriously, this is a solid rock release with swirling, shredding guitars and hooks that Peter Pan would fear, so its worth the hype. Recommended for fans of Black Label Society and getting crazy at small bar shows.www.soilmusic.com Review by Shawn Walters
Brides Of Destruction- “Here Comes the Brides”
 Motley Crue’s brainchild and lyrical genius Nikki Sixx along with his new partner, guitar virtuoso and former LA Guns leader Tracii Guns are ready to take over this decade with their highly anticipated new project, The Brides of Destruction. The Brides are a rock/metal/punk/glam super group that provides the kick in the ass that the rock and roll industry so desperately needs. The band has a modern and raw sound that at times borrows heavily from the Crue of the 90’s and the last LA Guns CD “Wake the Dead.” Vocalist London LeGrand even at times comes a little too close to sounding like former Brides member and ex-crue singer John Corabi. But, it’s a style that greatly compliments the stripped down music and if you going to emulate someone, you could do a lot worst than King Corabi. It’s just too bad Corabi didn’t remain in the band.
The CD kicks off with the first single, the turbo charged “Shut the Fuck Up” which is a swift and aggressive, a real sucker punch to the head. Following is “I Don’t Care,” which has the energy of “Kick Start My Heart” and features some great break neck drumming compliments of Scot Coogan. One of the many highlights of this disc is the reflective and motivating track “Life.” If properly promoted, this could be a huge hit single. Another potential hit is “Only Gets So Far,” a power-ballad-love song that blows away everything and anything that’s currently in the top 40.
It is very evident in listening to this release, that Nikki Sixx has grown so much as a songwriter. Some of the most profound, aggressive, introspective and street smart lyrics of Nikki Sixx’ career appear on this release. His partner Tracii is equally impressive with his mind blowing guitar work.
Forget about Motley Crue, it is now the Brides that matter. Although it clocks in less than 38 minutes, it’s the quality, not quantity that matters. So Vince Neil keep your solo career, Tommy Lee keep banging hot chicks, Mick Mars stay in seclusion and Nikki Sixx put all your focus in this band and don’t look back. A ton of hype surrounded this release, but it most certainly lives up to all of it. It took a while to get it out, but it was certainly well worth the wait. The Brides are here and now ready to fuck up the world.
www.bridesofdestruction.com By Thomas S. Orwat, Jr.
Roxx- “Outlaws, Fools, & Thieves”
T his is another classic Perris records re-release from a band that should of made it, but didn’t. The NYC based Roxx was one of the biggest groups during the mid to late 80’s in the tri-state area. Roxx sound is derivative of some of the greatest 80’s glam-metal artists, vocalist Joey D was even in Skid Row right before Sebastain was brought in. Hints of Bon Jovi, Skid Row, Pretty Boy Floyd and Motley Crue are prevalent on this party rocking’ 12 track disc. There are plenty of heavy, melodic and catchy riffs with big multi-tracked chorus’ and songs about hot chicks and partying. Does it get any better than this? No, it really doesn’t, dude.
Roxx had a reputation as a great live band with a state of the art stage show, filled with lasers and pyro. They had a cool image with great songs composed by five talented and dedicated musicians. Unfortunately, it never happened for Roxx, they broke up in 91 after six years of relentless touring and recording. They ruled the club scene in the NYC area and would have the some of the biggest and most decadent after show parties. They were one of this genre’s best bands that just didn’t make it. Perhaps it was because they refused to move to L.A. where the glam scene was prospering.
The first track on this CD “What’s the Boy to Do,” is a classic fist pumping anthem. “Give Up Your Heart” is a cool power ballad with an interesting saxophone solo. “Mr Mean” features some great guitar work compliments of axe grinder Franky Novello. “Rockin Horse” and “Turns to Gold” are fast pace party melodic rockers.
This CD may not change the world, but it will put a smile on you face. Any fan of the Darkness or good old fashion glam-metal will greatly appreciate ROXX. www.perrisrecords.com By Thomas S. Orwat, Jr.
Probot - S/T
For the most part, Dave Grohl always gets it right. Best known as the drummer of Nirvana and frontman of the Foo Fighters, anything the man is a part of ends up being thoroughly entertaining and musically innovative. Plus, he seems like an uber-nice guy to boot. So when the news came down about Mr. Grohl embarking on a METAL project, the ears of the collective scene perked up. Thankfully, this "metal" project is not a generic attempt of a rocker trying to show he is worthy of flashing the horns, but a nod to straight-up doom metal, featuring some of the best singers in the history of the genre. It amazes me that this album features Dave Grohl yet is NOT the star of the disc, doing pretty much everything else, (mainly drums with some help from Kim Thayil of Soundgarden on guitar) and leaving the vox to the legends. Flat out -- this album is fucking fun! The first single, "Shake Your Blood" featuring Lemmy of Motorhead, is fuzzy (not warm) speed rock, reminding one of Motorhead's "Ace of Spades". Max Cavelera (Soulfly) goes back to his later-Sepultura style with "Red War", while the incomparable King Diamond lends his falsetto to the evil dirge "Sweet Dreams". There's even some old-school hardcore goodness, with Mike Dean (Corrosion of Conformity) and Kurt Brecht (D.R.I.) lending their talents in a different musical realm. And even Grohl's passion for black metal comes out with appearances from Tom Warrior (Celtic Frost) and Cronos (Venom). But the real standouts have got to be "Ice Cold Man" w/ Lee Dorrian (Cathedral/Napalm Death) and "My Tortured Soul" w/ Eric Wagner, truly representing the sludge/doom rock of groups like Witchfinder General and Pentagram, something the album does in spades. Its a shame that Probot will most likely be a one-shot deal, given Grohl's busy schedule but he definitely makes his one shot count. http://www.southernlord.com
Review by Shawn Walters
Damage Plan - New Found Power
Let's come right out and say it -- Pantera is no more and won't be getting back together. Phil is in Superjoint Ritual, Rex is doing...whatever and drummer Vinnie Paul and his brother Dimebag Darrell have started Damage Plan. I'll go onand say that Damage Plan'sNew Found Power is what Pantera would be if Phil had no shame at all in embracing a commercial sound. Don't get me wrong -- this album has the jams but its a bit disappointing given the caliber of one half of the band and what you would expect from them. Along with bassist Bobzilla, ex-Halford axeman Patrick Lachman plys his wares as a singer and he's not bad. He's got this Systematic/later Machinehead vibe going on, which is actually perfect given the overall style of the band. Where he fails is lyrically, as the up front bluntness that Phil brought to Pantera is missing. Quite honestly, the REAL Pantera would never write a song as simplistic lyrically as "Fuck You" or "Blink of an Eye". However, thats where Damage Plan shines, adding a gloss to some uber-heavy drumming and guitar shredding. The aformentioned "Blink of An Eye" and "Save Me" have SINGLE written all over them, while the closer "Soul Bleed" represents your typical acoustic metal ballad and shows some of Lachman's diversity. And for what its worth, Zakk Wylde and Slipknot's Corey Taylor guest on this CD, although they don't overshadow the record's aura. What is noticeably absent fromNew Found Power is Dimebag's signature riffage. For example, when hear the opening of Pantera's "Walk" or "Becoming", you know its a Pantera jam but with these songs, nothing stands out from Dimebag's fretboard. I got a feeling alot of hardcore Pantera fans will be upset with the direction of this new band but make no mistake, the aggression is still there. http://www.damageplan.com Review By Shawn Walters
The Voodoo Dollies-10 S.T.D.S
 This is the debut 12 track release from the slutty, sleazy and controversial Niagara Falls, NY based female trio. Musically, the Voodoo Dollies borrow heavily from The Ramones, L7 and Betty Blowtorch with their energetic, raunchy, clever, sexually infested songs. Vocalist/guitarist “Babe of The Month” Jai Dollie is a cross between a punky Nina Gordon and Courtney Love, but cooler and much sexier.
The first track “Porno Stars” is a quirky, crude love anthem for the sexually deranged. “How are you with your tongue, I’ll know before we’re done” are some of the lyrics to this romantic girl meets boy, boy eats girl ballad.. “Groupie Slime” has a Ramones type slam dance feel and lyrically pertaining the quest of finding a tattooed rock star boyfriend and how uncool it is to hang with Don Dokken.
“Joey Ramone” is a tribute to the fallen punk rock hero. And even Joey would laugh at the simplicity of it. “Fuck You, Daddy” is one of the finer moments on the disc, the band really shines on it. “On The Rag” is an obscene and aggressive blood infested ode to a girl’s monthly friend.
Throughout the disc, bassist Jena Dollie and drummer Carina Dollie provide an unique spastic, caffeine driven rhythm and give every track a swift kick in the ass. However, at times, the band is a little too sloppy, the track “Sucker” stuffers a bit due to this. But in the end it adds character. The band is certainly not concerned with musical perfection, it all about attitude, and well getting laid too.
In summary, the Voodoo Dollies really play up their tough girl sleazy image, but in reality they are all very nice and harmless church going school girls. Yeah right. They are as sleaze, sexy and dangerous as a Hollywood call girl. But, it’s a formula that will help them sell a lot a Cd’s and surely break many naive hearts along the way. With their no compromising attitude, the Voodoo Dollies are either going to become mega stars or crash and burn, there is no middle ground here. It’s the way rock n’ roll should be.
Caution!!! Be very careful, you will fall in love with the Voodoo Dollies. This is a promising release. They have great chemistry, an outrageous stage presence. One listen to this CD will leave you craving for more and more. It will also do a lot for women’s rights. The right’s to ROCK!!! Have fun kids. Review By Thomas S. Orwat, Jr.
www.thevoodoodollies.com
CD Reviews 2002 - 2003 -2004 pt2
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