|
Innocent Rosie
"Bad Habit Romance"
Hailing from, yes, you guessed it, Sweden, comes Innocent Rosie. It is absolutely amazing to me, how this country can continue churning out an endless array of hard-hitting, glam-influenced bands like they do, while we get uninspired mundane acts in the US. But, why complain, right?
Bad Habit Romance, a 12-track CD, is even better, than what I have been hearing from their fellow countrymen. Considering I am enjoying the music I am hearing, that says something about these guys. Bitter Cocktail, the opening track, kicks things off, and really grabbed my attention instantly. Hard edged, and gritty, it has more bite than your typical image-conscious crop from Sweden. Oscar Kaleva's vocals are powerful, with that tinge of sandpaper, yet melodic. Knock Me Out follows, and continues on the same path as the opener. Two excellent songs in a row, make me suspicious. How often have we been sucked in by a CD, that kicks off in true rock fashion, only to falter by the third track. Lucky for us, the rest of the CD follows suit. Let a Memory Die is a nice little bluesey ditty, complete with harmonica, that starts off smooth, then kicks in. Think of Skid Row, meets The Stones.
Things keep on such a groove, that I actually wanted to hear a mid-tempo song, just to catch my breath. Well, we get it, Don't Drag Me Down. An obvious G n' R influence, it plods along, oh so innocently. But, surprise surprise. Obhviously the band had second thoughts, and decided, let's get right back to the rocking. So much for the listener catching their breath. AH, but why complain? After all, isn't this what we wanted to hear, anyways?
The CD isn't sleaze-factor, in the true Sunset Strip terminology. It's roots definitely come from there, but Innocent Rosie lean more towards a Stones sound. A good 1-2 punch rhythm section, by bassist Olaf Oljelund, and drummer Benjamin Borang, make a fine groove pairing. Like all the other recent Swedish releases, Innocent Rosie offers up another excellent guitarist, in this case, Joel Eliasson. These guys really resist the temptation of getting self-indulgent, and know how to keep it simple, and tasteful, without letting their ego's get in the way. Actually, you can hear the capabilities of all the members, who know, it is important to let the song do the talking. There is a lack of bubble-gum pop that their fellow Swedes are currently churning out, however, musically it does manage to stay in the Sleaze Neighborhood. One nice thing, about this Swedish onslaught, and Innocent Rosie is no different, is even though there is that familiar 80s tone, these bands are offering up their own style. Heavy on the influence, but equal parts freshness.
What we have here is yet another above-average offering of melodic rock and roll, that is definitely keeping this listener more than happy. And, Sweden, if you are listening: Keep 'em coming.
Review by Bruce Forrest
www.myspace.com/innocentrosie
.....................................................................................................................................................................................
PISTOL DAWN
"Conversation Piece"
PRODUCED BY CHIP Z'NUFF
Eonian Records
If I had heard this CD, without seeing a picture of the band members, I would have sworn these guys would have been the second coming of Poison. Though still rich in image, the band look like rock stars, without the Fredericks of Hollywood attire. In other words, we have a nice offering of some of the most infectious, "hair-metal" pop I have heard in quite awhile. I think what mostly impresses me, about "Conversation Piece," is how smoothly the CD flows. Not a bad track in the bunch (and there's ten of 'em), and catchy as hell.
Where to begin? Well, for starters, everything is in place. Dazzling melodic guitar work, by Scotti Ryan, solid rhythm section, by Don Ferguson, on drums, and Rob Stratton, on bass. Of course, this style of music wouldn't work, without a Hollywood-sleaze vocalist, and that job is filled nicely by "Faster" Freddie Brecht. There are the expected sing-a-long choruses, that seem to imbed into your cranium, even upon first listen. The production is crisp, the songwriting very commercial. A nice little bonus, is the fact, despite every track is in the same bubble-gum neighborhood, they all have their own identity. They don't "run" into each other.
Like all of the recent crop of 80's Hollywood style rock and roll, there isn't anything truly groundbreaking here. At the expense of repeating myself here, however, that is just fine with me. This isn't music that sets out to be innovative, therefore, it works on all levels. It is simply fun music, and hits the mark perfectly.
But, like so many other bands conjuring up this style of music, todays market, sadly, will have no interest. It appeals to fans, such as myself, and, of course, you, the reader, that enjoy this music. These guys could have quite possibly been huge in the 80s [or left behind, depending on their luck]. It is nice, as always, to hear that bands wish to continue pushing out this style of music. At the risk of sounding gushing, I would strongly recommend "Conversation Piece." There is no doubt, this will satisfy your sweet-tooth.
Review by Bruce Forrest
www.myspace.com/officialpistoldawnpage
...................................................................................................................................................................................
Queensryche
American Soldier
'American Soldier,' the newest release from Queensryche, continues the trend of concept album, something that has become somewhat predictable now for the Seattle based band.
I can't consider myself a fan of Queensryche. Always a bit too pretentious for me. However, I admire their flair for the dramatics, coming off as a "thinking man's" metal. 'American Soldier' continues this interestring, yet contrived approach, that has always worked so well in their favor. And, if the formula isnt broke, why fix it?
The album kicks off with Sliver, featuring, oddly, a bit of rap, shouted out, in drill sergeant like fashion. The album speaks out against war, from a soldiers viewpoint. Each track is a letter of sorts: to family, loved ones, and to anyone who wouldn't understand what, psychologically, a soldier goes through. "Unafraid" and "Hundred Mile Stare" get into a rock-solid grove, but 'American Soldier' seems to really sag in the middle. Almost every track is preceeded by a voice over, or a sound effect, ie. soldiers talking, helicopters, machine gun fire. It seems to slow down the pace, of the album, which never, musically, reaches full stride anyways. The sound effects quickly become a distraction. Think of watching a good movie, that gets interupted by the phone ringing every 4 minutes. At times, I feel the band gets too caught up in the concept, and often times forget to, simply get into a rock mode.
"Remember Me" and "Home Again" are back-to-back ballads, which really doesn't help the pacing. Geoff Tates vocals, as always, are amazing. You can hear the anger, and frustration, in his delivery, but yet, it never distracts from his capability, as a singer. Michael Wilton puts out some dazzling guitar work, without ever sounding pompous. Eddie Jackson and Scott Rockenfield as always deliver a thunderous rhythm section, that never overpowers. Overall though, I think this will work superbly for 'Ryche fans. As for new recruits, it hasn't won me over.
Rating 6/10
Review by Bruce Forrest
www.queensryche.com
.....................................................................................................................................................................................
DUFF MCKAGEN'S LOADED
'SICK' 
When you have been in the one of the biggest bands ever, in terms of record sales and status, namely Guns n' Roses, where do you go from there? Well, bassist Duff Mckagen went on to form Loaded, and released a 5-song EP in 1998. Two other releases followed, in 1999, and 2001. Velvet Revolver, however, interupted his solo project; though not the status of aforementioned G n' R, they definitely did receive a level of notoriety.
With nothing to prove, McKagen is back, trading his bass in, for guitar, with his 4th release, Sick. It is 13-tracks of hard-nose, bluesey rock and roll. It often times teeters on the side of punk, including the snarly vocals by McKagen, yet stays, to a degree, safe. It seems quite obvious McKagen, and Loaded, simply wanted to put out some grit and melodic brawn, and have a good time doing so. The band also features Mike Squires on guitars, and the heavy-groove rhythm section of Geoff Reading on drums, and Jeff Rouse on bass. The title track kicks it off, in high fashion. It instantly grabs you by the throat, and doesn't let up.
"Sleaze Factory" is a very infectious track, no doubt worthy of some radio and VH-1 airplay. The "raging bull" drive of Sick, doesn't let up, until track 7, "Mothers Day", finally allowing the listener to catch their breath. It is a somewhat haunting ballad, but may be the only track you will find yourself skipping over. "I See Through You," the following track, struggles to find its footing, but "Forgive Me" gets things going again. There are definitely more than its fair share of catchy, almost popish, choruses, many of which you find yourself singing along with on first listen.
The energy on this CD would definitely translate well live. Sick isn't going to shake the world on its foundartions, or inspire anyone. That is not the intention. Duff, and Co., obviously just wanted to put out some fun, kick ass rock and roll. On that level, he more than succeeds.
Rating 8/10
Review by Bruce Forrest
www.myspace.com/loaded
....................................................................................................................................................................................
Burn Halo
Burn Halo
Burn Halo is a new modern rock buzz band founded by James Hart the former lead singer of Eighteen Visions. After leaving Eighteen Vision, Hart aspired to write a straight forward rock CD and with this release and he certainly achieved that goal. This twelve track CD is filled with several BIG time radio ready hits. If you're a fan of Hinder, BuckCherry or Shinedown, or if you are Nikki Sixx you are going to go ape over this CD. The only negative is that on this release Burn Halo fail to establish a unique signature style. They sound too much like many of the other bands currently burning up the airwaves. But, regardless, the songwriting is top notch. Expect the mid-tempo track "Here with Me” to be a big summer time hit.
Check out Burn Halo currently on the Sno-core tour with Static-X and Saliva.
Rating 8.5/10
Review by Thomas S. Orwat, Jr.
www.myspace.com/burnhalo
.....................................................................................................................................................................................
KINGDOM COME
"MAGNIFIED"
In case you forgot, Kingdom Come was the band that arrived during the pinnacle of the metal scene in the 80's, and had an uncanny aural resemblance to Led Zeppelin, which may have worked against them, resulting in a critical, but deserved, backlash.
Kenny Wolf, the heart and soul behind Kingdom Come, remains the only original member, delivering the band's 13th album release, "Magnified."
The Zeppelin sound is still there, but more so in musical influence, and not so much the blatant rip-offs, that their debut release had to offer. But, listening to "Magnified," I believe think Wolf and Co. would have been better of, had they stayed to their original format.
All tracks were written, produced, and engineered, solely by Wolf, who dares to venture into more risky territory, instead of playing it safe. Overall, the 11-tracks are moody, dark, and almost gothic-like in their delivery. Unfortunately, there isn't really anything that stands out. "Living Dynamite" is the first track, and it is a slow, almost hypnotic song, but definitely not the way to get things going. It builds up, drawing us in, but never really goes anywhere. "No Murderer I Kiss," a cry-out against war, and inhumanity, lack the lyrical bite that is needed to truly get the point across. It begins bluesy, but, again, doesn't truly take us anywhere.And this is how the rest of "Magnified" is played out. It is the musical equivalent of a dog chasing it's tail.
There are no fast rocking tunes to be found, and perhaps, in all fairness, that wasn't Wolf's intent. But Kingdom Come fans will expect a little more metal, and a lot more bite, for their buck here, and will grow impatient, rather quickly here. Only "Hey Mama" ever finds a groove, with it's dynamic drum beat to kick it off. But, considering it is track number 9, it's a little too late.
I can't help but think, "Magnified" is a little too adventurous, preferring to take us into a dreamy state of mind, rather than just simply "rocking us." Obviously, Wolf had some good intentions, but didn't seem to know how to follow thru here. An outside writer or two, not to mention someone other than himself producing, could have easily turned this from a sleeper, into something interesting. Wolf fails himself, but worse, also fails the listener. "Kingdom Come" have continued to deliver albums, over the past 20 years, in Europe, but for the most part, remain unheard from, during that span, in the United States. And if he continues with his ambitious, but pretentious, and overall unsatisfying musical offerings, like he has done here, that trend will continue.
Review By Bruce Forrest
for more on Kingdom Come check out www.lennywolf.com
.....................................................................................................................................................................................
Sins of America
Own Best Enemy
Sins of America are an impressive new hard rock, glam influenced quartet based out of Boston, MA. The band is led by vocalist/guitarist Rob Wylde, who also fronts the acclaimed UK band Teenage Casket Company. Rounding out the line-up is Chris Kelley-guitar, Evan Deane-bass, and Shawn Vincent-drums.
This debut five track EP showcases the band’s ability to write catchy, melodic, infectious pop anthems. Wylde has a real penchant of delivering the goods. His vocals are filled with passion, emotion and street smart toughness. The third track “She said She Wouldn’t “ is a great example of his talent.
Sins of America are a band on a mission. They have all the ingredients to make it big, the looks, hooks and killer songs. I’m very eager to hear what else the band has to offer. Check them out at www.myspace.com/sinsofamerica
Rating out of 10 - 8
Review by Thomas S. Orwat, Jr.
.....................................................................................................................................................................................
Guns N’ Roses
Chinese Democracy
The long awaited CD by Guns N’ Roses “Chinese Democracy” was released in late November with much hype, 17 years worth of hype to be exact! Geffen records spent millions of dollars on production of the CD as singer Axl Rose, known for being a perfectionist, took that word to an entirely new pinnacle this time around. There are 14 studios listed in the credits. He reworked and revised a lot of these songs, ultimately cutting out certain parts. For example, Queen guitarist Brian May originally did some guitar work on “Catcher in the Rye” but his parts was later cut out.
The song “Shackler’s Revenge” is a techno type of metal song that is powered by Axl’s screeching vocals. “Better” is a cool tune that samples a variety of different tempos throughout the song. This is maybe the most consistent hard rocking tune from beginning to end while “Street of Dreams” has more of that Dizzy Reed piano driven “November Rain” type vibe to it, representing the signature ballad on the CD. Reed is the only surviving member from the Illusions line up. Guitarist Robin Finck adds his autograph sound to the CD on this track along with the song “I.R.S.” The guitar work by Buckethead on “If the World” and ‘Madagascar’ were left in and bass player Tommy Stinson plays on nearly every track. “If the World” starts off and ends with Buckethead playing an acoustic guitar that showcases a Spanish flavor. There is so much going on in a lot of tracks and especially on “If There Was a Time.” This would include strings, choir, overdubbed vocals and other little nuisances that Axl must have spent a lot of time working on alone. The epic “There Was a Time” reminds me very much of “Estranged” and “The Garden” from the Illusion CD’s.
The amount of people who worked on the project have all been credited properly along with the song writing credits and interestingly enough “This I Love” is the only track that credits Rose solely.
Overall, yes, I’m sure we are all glad that Axl decided 2008 was the year to finally release this effort, but perhaps it was just because he wanted to receive a free Dr. Pepper? The soft drink company promised a free Dr. Pepper to everyone, except former guitarists Slash and Buckethead, contingent upon the promised release date.
Axl’s vocals rival some of his best work to date, but the overall production is too much with too many pieces and not enough clarity. I personally think Axl could have done more with less!
Review by Gus Griesinger
Rating 7.5
www.gunsnroses.com
.....................................................................................................................................................................................
A Blackheart Christmas - -
Various
A musical sleigh full of what I most want for Christmas - “A Blackheart Christmas” . Blackheart Records issue of classic and original holiday tunes performed by original Blackheart artists. An eclectic compilation of classic punk, power pop, rock n’ roll and even a little bit of bubble gum of familiar tunes performed in a way that is as fresh and as new but with an energy so raw it’s as if these songs are being sung for the first time ever. 33.61 minutes of pure holiday joy.….
Nina Diaz‘s, (“Girl In A Coma“), rendition of “Blue Christmas“ and “”I‘ll Be Home for Christmas” are delightfully reenergized as is Kelly Ogden‘s, (The Dollyrots), punked out “Santa Baby”. “The Elf’s Song”, a pure punk tribute to Christmas elves done just perfectly by The Vacancies as well as a very different take on Father Christmas by the same artists. There’s the power popping “All I Ever Want Under the Christmas Tree” by modern music rebels “The Cute Lepers” as well as “Christmas Is A Time to Say I Love You” . Joan Jett and the Blackhearts’s original and much loved rendition of “Little Drummer Boy”. Interlaced with songs like “Winter Wonderland” featuring the soft vocals of the sweetest Blackheart ever, percussionist, Thommy Price. 60’s bubble gum guy and Blackheart Records co-founder and producer Kenny Laguna’s idealistically heart warming “Home for Christmas”. “Silent Night“, the final track, a compilation of all of the Blackheart artists with virtuoso and Blackheart Recor ds founder, Joan Jett’s mellow tones so soothingly spiritual, just full of heavenly peace, the kind of peace that comes from a peaceful heart and mind with an ending that’s as incredible as Jett herself. Brushed across a backdrop of electrifying guitar riffs and Jett’s underlying soothing vocals yet distinctive from the rest, is a very special surprise. A vocal cameo of President Elect Barack Obama’s victory spe ech, sprinkled with out takes from Senator John McCain’s concession speech and a few nonsensical words inspired by neophyte republican vice presidential candidate Governor Sara Palin by SNL’s favorite pundit Tina Fey’s witty substitution of a 5th grade geography lesson in place of candid foreign policy.
A Blackheart Christmas album unfolds in a way that is as lovely as a dancing sugar plum fairy or the intrinsic warmth of a crackling log in a fire place while an unexpected blizzard rages outside. Each track performed in a truly unprecedented way closing with a summary of the political climate that overshadowed so much of 2008 and will be remembered for generations to come as the beginning of change that did come to America in a very timely, yet unexpected way. This album should be in every holiday music collection.
Review by Joan Walsh
.....................................................................................................................................................................................
Hinder
Take It To The Limit
The much anticipated sophomore release from Hinder finally arrived on November 4th 2008 on Universal Republic Records. The band again chose to work with producer Brian Howes as they did on their initial effort. Hinder embraces an 80's vibe as they not only interject a sex, drugs, and rock and roll theme into their music, but also lend that premise to complement the artwork on their latest CD in which the band is surrounded by a beau of beautifies while enjoying a cocktail or two.
The CD kicks off with their first single "Use Me" that has been all over the radio for the last couple of months. "The Last Goodbye" showcases some great guitar work from both Joe "Blower" Garvey and Mark King. The Ballad "Without You' is a notable one and was just released as the bands next single. The title track "Take It To The Limit" features Motley Crue guitarist Mick Mars. The song "Thing For You' is a song that exhibits singer Austin Winkler's raspy voice and is as strong a song as they have done to date. Overall a release that could measure up to their debut CD "Extreme Behavior"
Hinder are currently headlining the Jagermusic tour and for more information on Hinder and their touring schedule, go to: : If this isn't enough Hinder for you, they are staring in their own comic book series through Devils Due Publishing. The first installment should be out soon.
Review by Gus Griesinger
Rating 7.5 out of 10.
www.hindermusic.com
.....................................................................................................................................................................................
Sammy Hagar
"Cosmic Universal Fashion"
Loud & Proud Records (Roadrunner Records label) welcomes established singer songwriter Sammy Hagar as one of the first signees to their brand new label. On November 18, 2008 they will release "Cosmic Universal Fashion" which is Sammy's 11th solo release. The title is inspired by an Iraqi soldier named Steven Lost. He collaborated with Sammy online to write the song as well. One of the heavier tracks on the CD is "Peephole" which contains thunderous drumming by David Lauser along with a heavier laden of guitar work by guitarist Vic Johnson. The song "Loud" features The Cult's Billy Duffy and Velvet Revolver's Matt Sorum. The track also has that Michael Anthony -esque background vocal provided by Sammy's current bassist Mona. Sammy gets daring and does a cover of the Beastie Boys "Fight For Your Right To Party." "When the Sun Don't Shine" is a laid back bluesy sip and drinking and feeling fine track provided by your captain, Mr. Cabo Wabo himself. I'm On A Roll has been linked up with NASCAR and was used to open the last portion of Sammy Dates this past summer. A new version of the Van Halen classic "Dreams" was taken from a live performance. The track is and slowed down and done acoustically. It's very different for sure. It wraps up with a quick melody of the Van Halen track "Cabo." The CD is definitely in the realm of what Sammy would do. He didn't stray too much of what he is known for or what he does best, and that is to make good party music!
Review by Gus Griesinger
Rating 6.5 out of 10
www.sammyhagar.com
......................................................................................................................................................................................
Twisted Sister
Live at the Astoria
Demolition Records will release a CD/DVD package of Twisted Sister's live performance at the famed Astoria in London, England. The show is from an August 2004 performance of all the original members of the band. This is the first live commercial release in the band's 35 year history. This is the groups' first performance in 18 years in London. The first song "What You Don't Know (Sure Can't Hurt You) displays the dynamic guitar work of both lead Eddie O'Jeda and rhythm guitarist Jay Jay French. Front man Dee Snider decked out in his "Stay Hungry" regalia, tears through songs like "Burn in Hell," Shoot Em' Down,' and "You Can't Stop Rock and Roll." He's in amazing shape for a man into his 50's and can still pull it off wearing the old garb. You get an appreciation when watching the DVD to see the pounding Mark Mendoza dishes out on his bass while staying true to the notes of the songs. The band looks like it's having a great time and it shows through in the performance.
One of the highlights is the song "Ride To Live.' The tune sounds amazing and the crowd goes absolutely nuts during this song. A couple of the negatives that must be pointed out is that the camera angles were shaky at times especially coming from the sides. They also altered Dee's voice when he was talking about a record executive and you can't make out who he was talking about during the song "Were Not Gonna Take It." They should have cut out the whole part if they were going to alter his voice. This is one of the strangest things I have ever seen on a professionally commercial product release. Otherwise a very tight and cool performance to get if you're a true metal fan!
Review by Gus Griesinger
Rating 7 out of 10
www.twistedsister.com .
.....................................................................................................................................................................................
Scott Weiland
Happy in Galoshes
Scott Weiland will release his second solo effort "Happy" in Galoshes on November 25th via Scott's own record label, Softdrive Records. It will be released as a single disc, in addition to a deluxe edition with an additional disc as well. The first track "Missing Cleveland is a fantastic track to start off this double disc effort. It is a very hard rocking song that mimics the feel of his earlier work with Stone Temple Pilots. The off kilter "She Sold Her System" shows the varied dynamics of the CD as there are no songs that are really alike.
For the bonus CD, the 2nd track "Hyper-Fuzz-Funny Car" has that megaphone vocal that Scott is becoming known for using. A slide guitar is used on the track "The Man I Didn't Know." The piano and keyboard driven "Pictures and Computers (I'm Not Superman)" is a cool track with Scott's vocals blending right in with the aforementioned instruments. A symphony of horns rounds the ending of the song out.
You may be asking yourself, how did Scott find the time to work on the CD considering he went from touring with Velvet Revolver to touring with Stone Temple Pilots? Well, whenever he did find the time, he certainly put together an eclectic collection of songs on both discs. His voice, overall, sounds in tip top shape and only shows what an amazing singer/songwriter he really is. If you're looking for a CD collection that rocks from beginning to end, then this is not for you. If your looking for something diverse and different that carries from beginning to end, then this is a must want. We all hope Scott can stay totally focused without foreign substances clouding his judgment so we can get more terrific efforts like this.
Review by Gus Griesinger
Rating 8 out of 10
www.scottweiland.com
.....................................................................................................................................................................................
TESLA
Forever More
Stand-out Tracks: Fallin' Apart, The First Time, Breakin' Free, In a Hole Again
Polished songs with tremendous hooks and melodies are what Tesla has survived upon now for just over two decades. Combine that with an exhilarating live show and you answer the question of longevity. Thus the aptly titled release, "Forever More," delivers more of these same components along with searing guitar solos, snarling bass and drums set against Jeff Keith's pitch-perfect vocals, and sincere, emption-filled lyrics. The full gamut from ballad to straight ahead rock crunch is found here with plenty of wah-wah pedal to spare.
The record goes from 0 to 60 with the first 4 tracks, "Forever More", "I Wanna Live", "One Day at a Time" and "So What!" packing a wallop to the senses courtesy of Frank Hannon and Dave Rude's guitar artistry and Troy Lucketta's thickset beats.
The brakes are applied to slow things down a bit with "Just in Case", "Fallin' Apart" and "The First Time," which are all quality tunes with catchy choruses and prominent solos. Tesla has always been a band of the people, for the people, and continues to write songs that have universal appeal, focusing on the emotions, problems and passions of everyday folks.
"Pvt. Ledbetter" is the most poignant of the collection as its captivating lyrics serve as a tribute to loved ones serving overseas in the Armed Forces.
"In a Hole Again" is a darkly distressed track on the record and is reminiscent of "Cellophane" from the Bar 7 project, whereas "The Game" offers a seemingly tasty left-over from the Psychotic Supper record.
Tesla never fails to disappoint. Trends come and go. But some things will remain…Forever More. Tesla is one of those things.
Review by Tracey L.
Rating 9 out of 10
www.teslatheband.com
.....................................................................................................................................................................................
AC/DC
Black Ice
One of the most recognizable and revered bands on the planet has finally released some new material. AC/DC’s “Black Ice” on Columbia Records is a collection of 15 songs that were all written by brothers Angus and Malcolm Young. This CD can only be found at your local Wal-Mart as the chain have bought the exclusivity rights to be the only store to sell it. The first song and the first single “Rock N Roll Train’ is the grittiest number on the CD. It measures up to any of their past hits and you will be hearing plenty of this for the upcoming months that’s for sure! “Anything Goes” is one of the stronger songs on the CD that somewhat differs from the other tracks. Angus shows his chops and lets off an a catchy solo during this song. The opening riff to “Decibel” sounds like a ZZ top riff to “Waiting for the Bus.” I do love the slide guitar on “Stormy May Day.” It adds a unique touch to an otherwise ordinary CD. Out of the 15 tracks, 4 have the word rock/rocking in them. Not much creativity between the songs and all have that signature 3 chord (arranged differently obviously) AC/DC riff but that’s what keeps us coming back for more. It’s their niche and groove and obviously everybody has respected them this long for it so why would they change it now?
Rating out of 10:6.5
Review by Gus Griesinger
www.acdcrocks.com
...................................................................................................................................................................................
Click here for more CD and DVD Reviews
|
